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Perpetually having my life ruined by attractive women









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Catching Elephant is a theme by Andy Taylor

 

Anonymous asked

Hello! Just caught up with the latest installment of your Jori fic and I am BLOWN AWAY. It’s just so good. I keep on rereading my favorite parts because it just hurts so good.

Do you do any fan casts or face claims for your OCs?

Such as Patrice, Addison, Lana, Astra, etc.

Hi Anon! Thank you so much for the kind words.

We do have face casts! Keep in mind, of course, that these are just the people who came to mind for us as we were developing these characters and if you have different ideas, you can certainly discard ours.

Under the cut are face casts for OCs for our fic series.

Keep reading

kbishop:

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The Marvels (2023) + text posts

polniaczek:

They’re so pretty with their button-up shirts

gayerfurtherfaster:

polniaczek:

“We’re going dancing at the Pine Lodge.”
“Blair hears that’s where all the forest rangers hang out.”

Jo + Blair in Every Episode • 6.16 “Jazzbeau”

I have so many thoughts about this B story of the episode. All of them are gay.

gayerfurtherfaster:

Just working on some research notes for a future project. These are all canon occurrences, I don’t make the rules.

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gayerfurtherfaster:

polniaczek:

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jo & blair ⬨ wlwyearnbot tweets (insp x, x)

I’m not saying anything set in stone but there may be a fic about these two coming up sometime in the future.

The whole series is on Tubi right now if you’re into vintage subtextual sapphic business.

best-tv-theme-song:

Round 1, Group G - 1/16

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Bill Nye the Science Guy vs. The Facts of Life

Bill Nye the Science Guy

The Facts of Life

See Results

Remember you’re voting for the theme song, not the show as a whole!

Keep reading

There are actually three versions of The Facts of Life theme song. The first season of the show is very different from the rest of the series and so is the theme song, and that’s the one linked in this post. It’s sung by a bunch of kids but also Charlotte Rae, a true legend, sings in it and really goes hard on some insane crescendos toward the end. It also features a jarring brass section. But it is definitely NOT the best version of the theme song, or even the best known.

Most people pretend (rightly so) that Season 1 doesn’t exist. The series really finds its feet in Season 2 and so does the theme song. The melody and lyrics are changed and polished, and overall it’s a much better theme.

And then in the later seasons, the theme song gets treated to a faster tempo and some crazy electric guitar and synthesizers and goes off the rails. But in a delightfully 80s way.

Anyway, I’m sure it’s a lost cause since Bill Nye is so well-known and was probably shown in classrooms to multiple generations at this point, but The Facts of Life deserves more credit for being catchy as hell. Also, it has more than four words in it, if you’re into that.

ashleys-doodle-corner:

The cover page of the FFX comic the artist made. It depicts a movie sphere, specifically Yuna's one when she dropped it on the way to Zanarkand. The textbox above it says "Obtained Yuna's sphere!", while the one below it presents the selection box between "take a look" or "leave it alone". The first option is selected.ALT
Panel 1: Yuna looks scared as she looks upward to someone that is shadowing over her. The narration box, which is Yuna's narration as per her sphere says "Kimahri..." before laughing. Panel 2 (a full page spread): Kimahri stands before Yuna, looking rather serious as he towers over her. He has his halberd in hand which stands straight. Yuna seems to be backing away a little bit. The narration reads: "Do you remember the first day we met? I was only seven."ALT
Panel 1: A skyline view of Bevelle, with the city rooftops in view. Confetti rains down, both within the borders of the panel and outside of it, trailing halfway down the page. The narration reads: "My father had defeated Sin, and all Bevelle was celebrating." Panel 2: A group of citizens are happy and smiling. One is a little girl with pigtails who is beaming happily, and another is an old woman who is reaching her hands out to somebody. The narration reads "Everyone was saying what a hero my father was." Panel 3: A direct continuation of the previous panel, where the old lady's hands are in Yuna's, who clasps it gently. Yuna is alone on this side of the panel, but she is smiling nonetheless. The narration reads: "I was so happy." Panel 4: It is night, and the purple of the night sky seeps into the panel to bottom half of the page. Yuna is lying in her bed, hair splayed on her pillow. Her expression is troubled, uneasy. The narration reads: "But when night came, it occurred to me." Panel 5: The night sky with some floating clouds and three lone pyreflies soaring through the air. The narration reads: "My father had defeated Sin, and now he was dead. Now I was all alone."ALT
Panel 1: Yuna is seen to be walking through the city, her eyes obscured by the panel box. She is walking with her hand supporting against the wall, away from the light and the celebration. The narration reads: "I couldn't sleep, so I wandered into the town, away from the celebrating crowds." Panel 2 (a full page spread): A page spread view of the bridge in Bevelle, specifically at the spot where Yuna nearly got married in the future. She stands quietly by herself, hair floating in the wind by the base of the stairs. The faint memory of her father, Lord Braska, is facing away from her as he walks to defeat Sin. Pyreflies float around him. The narration reads: "I stood on the bridge in Bevelle, where my father and I had parted."ALT
Panel 1: Yuna stares off into the distance, a frown on her face. The stairs are directly behind her. The narration reads: "Standing there, alone, I could see the fields where he had fought Sin." Panel 2: The panel, smaller, still shows Yuna, but with a surprised expression. Panel 3 (a full page spread): The night sky start from the very top of the page to the bottom, with clouds looming in the background and the bridge's railings being barely visible. Kimahri stands in the very bottom center of the page, staring at the camera. He has his halberd in his left hand, his hair strands blowing in the wind as well. The narration reads: "Then, you appeared, Kimahri."ALT
Panel 1: Kimahri's face is shown, but his eyes are cut off by the panel itself. He is speaking, with his dialogue being "Kimahri is looking for the daughter of Braska", the first two words being blurred and faded out. The narration reads, in tandem with the dialogue box, "You said you were looking for the daughter of Braska, remember?" Panel 2: Yuna is looking up at Kimahri, scared but stock still. The narration reads: "At first, I was so scared." Panel 3: Kimahri kneels down to Yuna's eye level, as Yuna looks at him, not with fear anymore, but surprise. The narration reads: "Until I realised, what a gentle person you are." Panel 4: Kimahri's face is now clearly seen. His expression is gentle, rather than solemn. His left ear is twitching up and down, as if unsure. His broken horn pokes out of the panel. The narration reads (after Yuna's laugh): "You weren't used to talking to children." The page background is the same shade as the night sky in the previous page; a dark dull purple.ALT
Panel 1: Yuna speaks, though the words are not written, smiling as she points to herself. The narration reads: "When I told you that I was Braska's daughter-" Panel 2: Yuna stops speaking, expression falling, as she listens to what Kimahri says, though the words are not written. The narration reads: "You said you would take me, as far from Bevelle as you could." Panel 3: Auron, the age he was when he went on the pilgrimage with Braska, is on his knees, speaking weakly to Kimahri, who is out of the panel. He is noticeably bruised and bloodied, and blood is spilling from his right eye which is not seen fully. He reaches a weak hand out to Kimahri. The narration reads, outside the panel: "That it was the wish, of a man facing death." The page background slowly fades from a dark purple to a lighter one, continuing from the previous page.ALT
Panel 1: Yuna stares at shock at Kimahri, who is out of sight. The background of the panel is no longer of the staircase, but of a dark purple that is fading out slowly as it continues to the other panels. The narration above the panel reads: "I think..." Panel 2: Yuna stares downwards, tears already filling her eyes and streaking down one cheek. Panel 3: Yuna hitches her shoulders, as her expression scrunches up and the tears come through. She is trying to keep it together but clearly failing. The narration, below the panel, reads: "I cried then." The page background finally goes from a pale purple to white, similar to the panel backgrounds as well.ALT
The page is completely white, with the only things on it being Yuna, who stands straight as she sobs, the realisation of her father's death finally hitting her, and Kimahri, on his knees, holding her and comforting her silently. There is a soft white glow around them. The narration reads: "Because that... that was when I knew my father was dead. And I would never see him again."ALT

You just held me, without saying a word.

So I have been done with the game for a bit now and I did the redraw of the introduction scene of the game (thanks for the response on that by the way!), but I’ve been wanting to do a visualisation of the part in Yuna’s sphere about Kimahri for a while now. It just felt very visceral hearing her talk about the Calm her dad brought and then the sheer realisation that she was truly never going to see him again.

This took a while due to on and off bursts of motivation and energy, but I think it turned out alright.

malarkidraws:

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I replayed FFX over the summer and totally fell in love with it all over again. I always liked this little moment after the Sending where Lulu comforts Yuna when she loses her composure.

lesbianneopolitan:

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A commission of Lulu from Final Fantasy X, for @fadedneonzzz
! 🧸🔥

dana-song:

HAPPY INTERNATIONAL LESBIAN DAY